Trabajó como intérprete y coreógrafa con el grupo Bocanada hasta su traslado a Nueva York en 1984, donde produjo sus primeras coreografías breves. Sus intereses fueron derivando hacia una preocupación por la mirada y la observación, marcada por la cinefilia, que encontraron en los espacios blancos su lugar de desarrollo.
Conversación con Elena Córdoba
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